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Thus, in the wake of records from Grizzly Bear, Phoenix, Animal Collective etc., Russell's albums will sound like something of a Rosetta Stone. If you're a DJ, then they are chock full of beats, sounds, and rhythms that you will be itching to put on a track (disco house has become de rigeur at DC's loft parties...). If you're a fan, the intensely danceable, funk heavy disco is completely enjoyable without being cliched or derivative. He took the essence of disco, distilled it, and made it anew into something far more sophisticated and substantial. The tracks are layered, the hooks are catchy without being sickly sweet, the musicianship is obvious, the progression through musical eras and ideas is effortless - it goes from Diana Ross to some serious psychedelia and beyond. The lyricism is subdued, but nuanced, and his voice has that Nick Drake quality of always sounding slightly muffled. The implications for modern bands are readily apparent - you can hear him all over today's acts. To say he was ahead of his time is frankly putting it modestly. He found little commercial success as he tended more to pursue ideas, sounds and concepts rather than finished works. He moved quickly, bringing the listener along with him, but tracks could easily go on for 20 minutes...not exactly radio friendly.
Russell has enjoyed something of a renaissance within the last decade (helped most recently by Chris Taylor of Grizzly Bear), and his music certainly merits a re-looking. Here are 3 albums, but there are surely more tracks than you might imagine.
Calling Out of Context
The World of Arthur Russell
The World of Echo
5 comments:
big up to arthur. respect.
Outstanding post Bryn
Pretty excited to check this out. Thanks B...
No idea how you caught wind of this dude Brynna, but glad you did. Crazy because its like nothing I've ever heard yet sounds like it's been bitten by so many people since. More of this please
yeah brynna where did you hear of this guy ;)
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